Book Chapters
2025- “Technonecromancy: Preserving the Poetics,” in Born Digital Cultural Heritage Anthology, co-authored with Rene Alberto G. Cepeda. (In press)
2025 “Header/footer gallery: creating and sustaining an online only art gallery” in Museums on the Web: Exploring the Past for the Future, co-authored with Rene Alberto G. Cepeda. Edited By Karin de Wild, Nadezhda Povroznik (Routledge, 2025)
Peer-Reviewed Articles
2025- “Being: Reimagining the Cyborg through Afrofuturism” in Extrapolation, Special Issue: Science Fictional Ecologies in Contemporary Art (In peer-review)
2023 “Living in the Age of (AI) Machines,” in Afterimage, Vol. 50, Number 4, pg. 9-13, https://doi.org/10.1525/aft.2023.50.4.9
2023 “Header/footer gallery: creating and sustaining an online only art gallery,” Internet Histories. Co-authored with Rene G. Cepeda, https://doi.org/10.1080/24701475.2023.2249363
2023 “Challenging the ‘Data Body’ in New Media Art, 1990s-Present” in Afterimage, Special Issue: Contingent Systems: Art and/as Algorithmic Critique, 50 (2): 93-111. https://doi.org/10.1525/aft.2023.50.2.93
Exhibition Catalogue Essays and Art Criticism
2023 “A ‘Bug’ In the System,” CUE Art Foundation, https://cueartfoundation.org/young-art-critics-essays/a-bug-in-the-system
2022 “Mimi Onuoha: Making Data Matter,” Momus, https://momus.ca/mimi-onuoha-making-data-matter/
2022 “Future Bodies” Future Bodies Conference and Symposium, University of Virginia Tech, Virginia
2020 “Controlling Time” in Controlling Time, Langer Over Dickie, Chicago.
Constanza Salazar 